Dudley Andrew is a master at making the world of film theory accessible to a largely mystified public. Since the publication of his Major Film Theories, a classic in the field, the sophistication of the debate concerning the proper approach to film has grown. It is now the province of critics and universities instead of directors and artists, and this book concentrates on the m...(展开全部)

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of an...(展开全部)

Written by two leading film scholars, "Film History: An Introduction" is a comprehensive survey of film - from the backlots of Hollywood, across the United States, and around the world. As in the authors' bestselling "Film Art", concepts and events are illustrated with actual frame enlargements, giving students more realistic points of reference than competing books that use pu...(展开全部)

Providing a collection of some of the most provocative and influential writings of film theory in the past thirty years, this anthology aims to provide a polylogue among theorists, deprovincializing the subject. Film Theory multiplies the perspectives and positions, the situations and locations, from which film theory is spoken.

Providing a collection of some of the most provocative and influential writings of film theory in the past thirty years, this anthology aims to provide a polylogue among theorists, deprovincializing the subject. Film Theory multiplies the perspectives and positions, the situations and locations, from which film theory is spoken.

What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories—from the classical period to today—in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and ...(展开全部)

马修.H.奥尔森，美国知名心理学教授。1973年在加利福尼亚大学戴维斯分校获得学士学位，1977年在密歇根大学获得实验心理学博士，专注于生物心理学和决策理论的研究。1977年加入哈姆林大学，从事教学和写作。他的课程因充满趣味性、能启发学生的探索精神并激发学生的学习兴趣，而备受学生的喜爱。1991年获得哈姆林大学的Burton和Ruth Grimes年度教师奖，2011年获得明尼苏达心理学会的Walter Mink杰出研究生教师奖。 其作品主要有：《学习理论入门》（第9版）（An Introduction to Theories of Learning，9th edition，2013）、 《人格心理学入门》 （第8版）（An Introduction to Theories of Personality，8th edition，2011）（以上两部作...(展开全部)

An Introduction to Theories of Personality, , 8/e -- is just the standalone book For Sophomore/Junior level courses in Theories of Personality, Personality, or Personality Psychology. Using a theorist-by-theorist approach, this comprehensive introduction to personality theory gives students the history of psychology with practical information to help them understand their own l...(展开全部)

An Introduction to Theories of Personality, , 8/e -- is just the standalone book For Sophomore/Junior level courses in Theories of Personality, Personality, or Personality Psychology. Using a theorist-by-theorist approach, this comprehensive introduction to personality theory gives students the history of psychology with practical information to help them understand their own l...(展开全部)

This comprehensive introduction to the film industry focuses on three topics: how movies express meanings, how viewers understand those meanings, and how cinema functions globally as both an art and a business. This is the only introductory film text to examine the elements of film style and the viewer's contribution to the cinema experience. Includes case studies of prominent ...(展开全部)